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Playing It UNsafe: Lab Workshop 4

Tuesday, March 1, 2011 at 2:00 PM (ET)

New York, NY

Playing It UNsafe: Lab Workshop 4

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Playing It UNsafe: Lab 4 80 tickets Ended Free  
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Playing It UNsafe: Lab Workshop 4Playing it UNsafe

Playing It UNsafe is the first and only professional research and development lab to support the creation of cutting-edge new American orchestral music through no-holds-barred experimentation, encouraging composers to do anything but “play it safe.”

The composers participating in Playing It UNsafe are Sean Friar, David Heuser, Joan La Barbara, Laura Schwendinger and Henry Threadgill. They were selected from a national search for their willingness to experiment and stretch their own musical sensibilities, along with their ability to test the limits of the orchestra. Playing It UNsafe grew out of ACO’s ongoing mission to commission and perform new music that expands the range of possibilities for – and challenges conventional notions about – orchestral music.

Playing It UNsafe is a season-long initiative that includes a unique incubation process of laboratory workshops, public readings and collaborative feedback. Audiences can hear the composers’ works-in-progress at this opening lab workshop. ACO music director, George Manahan, conducts.

One more Lab Workshop will be offered, so curious listeners can follow the collaborative process as each piece develops. The project culminates in a Playing It UNsafe premiere concert on March 4, 2011 at Carnegie Hall's Zankel Hall.

For more about Playing It UNsafe: http://www.americancomposers.org/unsafe/

 

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When & Where



Aaron Davis Hall, Theater B
135th St. and Convent Ave.
New York, NY 10031

Tuesday, March 1, 2011 at 2:00 PM (ET)


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Hosted By

American Composers Orchestra



Now in its 35th year, American Composers Orchestra is the only orchestra in the world dedicated to the creation, performance, preservation, and promulgation of music by American composers. ACO makes the creation of new opportunities for American composers and new American orchestral music its central purpose. Through concerts at Carnegie Hall and other venues, recordings, internet and radio broadcasts, educational programs, New Music Readings, and commissions, ACO identifies today’s brightest emerging composers, champions prominent established composers as well as those lesser-known, and increases regional, national, and international awareness of the infinite variety of American orchestral music, reflecting geographic, stylistic, and temporal diversity. ACO also serves as an incubator of ideas, research, and talent, as a catalyst for growth and change among orchestras, and as an advocate for American composers and their music.